Audrey Hepburn wearing Givenchy for her wedding to Andrea Dotti in 1969 Paramount gave Givenchy $30,000 to design costumes for Audrey’s character in How To Steal A Million (1966). Do you want to see her mannequin?” One of Givenchy’s loyal assistants fetches from an unseen region of the atelier the dress form on which Hepburn’s clothes were fitted for four decades. “Ever since Sabrina,” Givenchy continues, “Audrey kept exactly the same measurements. My one chance was in Sabrina. The effect of the film on Givenchy was immediate and newsworthy. I felt immediately how lovely she was, inside and out. Photographed at ‘La Vigna’, Hepburn’s villa outside Rome, Italy, for Glamour magazine, June 23, 1955. Something magic happened. She gave a life to the clothes—she had a way of installing herself in them that I have seen in no one else since, except maybe the model Dalma. John Springer Collection / Corbis via Getty Images. Audrey Hepburn poses in an evening dress by Givenchy in the 1957 film "Funny Face." Available for sale from Lyons Gallery, Norman Parkinson, Audrey Hepburn wearing Givenchy, 1955 (ca. She was notorious for never giving an assistant credit, even if she hadn’t done a thing.” But Head, obviously galled at being so completely upstaged (even if she was one of the few to know it), went even further, insisting in her memoirs and even until her death that she had created (as she wrote in 1959) “the dress, whose boat neckline was tied on each shoulder—widely known and copied as the Sabrina neckline.”. Audrey Hepburn circa 1955 Summer florals. She and Hubert de Givenchy met in their mid-20s, and their friendship and professional partnership spanned 40 years. “We had a set made of the Glen Cove railroad station, and the scene was already halfway shot when I told Billy to stop everything—it had to be redone,” Lehman recalls. A sumptuous but inanimate husk, it is as empty of life as a lovely shell abandoned long ago by the fantastic creature that once inhabited it. The illicit couple became so transported by their mutual passion that they even discussed marriage—an idea Hepburn summarily rejected once she learned that her suitor had undergone an irreversible vasectomy. The studio sent to its pixieish protégée a script by Samuel Taylor of a play Paramount had just purchased, Sabrina Fair (a name taken from a work by Milton), a frothy comedy about a chauffeur’s daughter who returns from a trip to Paris so worldly and fetching that she ends up having her pick of her father’s millionaire boss’s two eligible sons, Linus and David Larrabee. Dreda Mele, who had previously borrowed the sample and worn it to a ball, grows ecstatic at the memory of her first sight of Hepburn in the snowdrift-white dance dress: “She was something unreal—a fairy tale!” Givenchy agrees: “It gave her a very flattering line, especially pretty when she turned to move or dance.”. To revist this article, visit My Profile, then View saved stories. Comes with an … Divining the trend early, the department store Barneys launched a collection inspired by Hepburn’s dresses, culled from her personal and cinematic wardrobes. Givenchy’s lovely simple clothes [gave me] the feeling of being whoever I played.”. As the actress soon learned, her flawless Givenchy wardrobe was one of the few successfully resolved matters on the Sabrina set. Hepburn wore the final Givenchy outfit—the eponymous cocktail dress—for the script’s Scene 104, which opens, “INT. Dressed in his traditional uniform of an impeccable white linen smock, whose cuffs he has neatly rolled up, he embodies an old-world, gentlemanly ideal that is as rare today in the fashion world as a well-mounted sleeve. Givenchy could easily fill the girl’s request—shortly before she died of colon cancer in January 1993, Hepburn gave the designer more than 25 dresses he had made for her, which he keeps in his Paris apartment. “And Egon von Fürstenberg showed me a picture in a magazine. Start on a figure spinning like a top.” “I can’t think of any other picture before Sabrina that made use of clothes in the same way. 1955), C-type print, 30 × 30 in “The clothes almost made the woman,” Lehman muses. Saved by The Gathering Goddess. Will be used in accordance with our Privacy Policy. Her little Givenchy princess hat is perched on her head, and her stem-like arms, sheathed in black gloves, stretch across his boardroom table. I have always considered her my sister. Now thousands of imitations have appeared. “Audrey’s style is so strong,” the designer continues, gazing reverently at the doll-like instrument of his profession. Of all these potential Oscars, however, only one came through—best costumes—an award which Edith Head shamelessly accepted without even the slightest nod of acknowledgment to Givenchy. And she entered that image totally. Dec 17, 2020 - Explore Jodi Niceley's board "Audrey", followed by 613 people on Pinterest. They made the transformation believable.”, The movie’s next pivotal scene also turned on one of the Givenchy creations—the angelic white ball gown. In November 1954, as part of their honeymoon, Hepburn and Ferrer flew to her native Holland for the Dutch premiere of Sabrina. Audrey Hepburn (born Audrey Kathleen Ruston; 4 May 1929 – 20 January 1993) was a British actress and humanitarian. The entire staff adored her, everyone had enormous respect for her—she became part of the family here. ... Who doesn't dream of dancing with Fred Astaire in this frilly tea-length wedding gown? It was all still there. I thought, This is too much!” Eccentric as Hepburn’s getup was, her appearance that day, recalls Dreda Mele, then the directrice of Givenchy (now Armani’s general manager for France), “was like the arrival of a summer flower. The belle of the ball! Effectively, Head had treated Paris’s most admired young créateur as if he were just another anonymous cog chugging away in her vast wardrobe engine. The emotion is still so strong,” he adds, his eyes now brimming with tears. On her head was a straw gondolier’s hat with a red ribbon around it that said VENEZIA. She created an image above her movie image.”. It was the perfect setup. It’s impossible! But she insisted, ‘Please, please, there must be something I can try on.’” Givenchy finally relented, proposing that she try on some of the samples that were still hanging about the atelier from the previous season’s collection, spring/summer ’53. One reviewer remarked that the Larrabee servants’ quarters would “bring joy to many French millionaires in search of lodgings.” Another complained that Audrey Hepburn reminded him too much of certain young ladies of Saint-Germaine-des-Pres “who cut their hair with rusty scissors.” Still another, apparently thinking of the scenes in which the actress wears the Sabrina dress, suggested that Miss Hepburn had been “transformed for five painful minutes into Miss Famine herself.” But most had generous praise for Hepburn, who, as the newspaper La Croix conceded, “had become a Parisienne down to the tips of her fingernails.”, More important, Sabrina reaped industry accolades. “She was so disciplined, so organized, she never was once late for a fitting. One of the most stunning pieces she wears is this stunning red silk dress and organza shawl, one of the many designed for the actress in her career-long partnership with Hubert de Givenchy. She entered into his dream, too. Later, when she was married to Dr. Dotti and living in Rome, sometimes she needed something immediately and would go to Valentino. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. “It was true—but it wasn’t planned that way in advance. Sep 20, 2020 - "War and Peace" began filming in July 1955, finished in October 1955 and was released 8/21/56, starring Audrey Hepburn, Henry Fonda and Mel Ferrer. Jennifer Jones, Lauren Bacall, Marlene Dietrich, Elizabeth Taylor—we had such problems with her, with the timing of her fittings. The force, the presence, the image, is so strong. Start on a figure spinning like a top.” Out of this furiously twirling black-and-silver spiral of stardust the scintillating Sabrina materializes, enthroned on Linus’s executive-suite swivel chair. In their poll of fans in more than 50 countries abroad, the Foreign Press Association of Hollywood and the Hollywood Foreign Correspondents Association came up with Audrey Hepburn as the winner of the “world film favorite” award. The actress was then merely, as Hepburn later put it, “a skinny little nobody”—dressed in an outrageously quirky manner for someone about to have her first encounter with the latest Parisian fashion sensation. But no one ever wanted to copy what I made for them. Everybody wanted to look like Audrey Hepburn. “Yards of skirt and way off the shoulders!” This is the cue for the film’s great Cinderella moment, when Sabrina, finally a guest—not a lovesick, wistful outsider—at one of the Larrabees’ fabled parties, makes an enchanted entrance onto the millionaires’ lantern-lit terrace, leaving a trail of slack-jawed men in her wake. Though Wilder—a man of sophisticated European tastes who fully appreciated the singular allure of French couture—was the one who informed Head of the change of plans, it was, the director says, Hepburn who had actually come up with the idea. When I launched the fragrance L’Interdit with her face as the image she never asked for any percentage or any payment.” In fact, the actress’s confidence in Givenchy ran so deep she asked him later in life to be her légataire testamentaire, a mediator of her will. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Not leaving anything to chance, the publicity department pressed into service purveyors of all kinds of goods. This wedding dress worn by Audrey Hepburn in 1957 film "Funny Face" is so iconic and classic. Then William Holden’s David Larrabee whizzes past in his Nash-Healey Sports roadster, screeching to a halt when his jaded playboy’s eyes light upon this dazzling apparition. However, the wedding dress Hepburn sports in the film is a … I repeat, they were made for each other.”. ”Audrey’s silhouette is so strong. But it doesn’t matter—a few years passed, and then everyone knew. The Writers Guild honored the uneasy troika of Billy Wilder, Samuel Taylor, and Ernest Lehman with its “best written American comedy” award, and the screenplay also earned a Golden Globe. William Holden, 11 years older than Hepburn and long married, became intoxicated with his co-star—who reciprocated in kind. Then, in my last couture collection, I adapted that design for another dress, which I showed with a jacket.” And for Barneys’ special Givenchy collection last year, he did yet another spin on the Sabrina cocktail dress—this time in silk faille and without any bows—which immediately became the line’s top seller. No wonder Billy Wilder confidently quipped to a magazine, “This girl single-handedly could make bosoms a thing of the past!” Hyer also wears ostentatious earrings and a double-strand pearl choker, à la Barbara Bush, while Hepburn’s attenuated white throat is jewel-less, her ears ornamented only by modest pearl drops. Audrey Hepburn was a close friend of French designer Hubert de Givenchy, referring to the designer as her "best friend" while he called her a "sister". More cunning still, throughout France and North Africa a “Do You Look Like Sabrina?” contest was staged, in which winners were awarded prizes of both money and products. The climax of all these festivities was the arrival of “Sabrina” herself, who held court at a press conference at the Ritz. . Further fueling Sabrina fever in France, Paramount offered—through the boutique Prénatal—gifts to any mother who on February 4 gave birth to a baby girl and named her Sabrina. The 35 Most Indelible Audrey Hepburn and Givenchy Style Moments. “What used to be called a décolleté bateau,” Givenchy says. Her co-stars would be William Holden in the part of the rakish younger Larrabee boy and Humphrey Bogart as the sober older son who, despite his stuffy, unromantic nature, wins the girl. You edit as you go.” Bogart said to his agent, Phil Gersh, “Look, this guy is shooting the back of my head, I don’t even have to put my hairpiece on; I’m not in this picture.” Explains Lehman, “What happened with that scene is that Billy Wilder fell in love with Audrey’s image onscreen.”, Apparently, it was not just the celluloid likeness of Audrey Hepburn but also the flesh-and-blood girl herself who bewitched the men on the Sabrina set. “Clothes are positively a passion with me,” Hepburn confided to a journalist on the set of Sabrina. Clothing shops, as well as the Campagnie Générale Transatlantique, whose steamship the Liberté figured prominently in the film, also got into the act. As snug as a bathing cap and paved with rhinestones, it covered most of her ears and, due to the serried peaks projecting from its circumference, gave her the illusion of wearing a storybook crown. Hepburn respectfully explained to Givenchy that she was in pre-production for the movie Sabrina, a story which involved a young girl’s metamorphosis, after a two-year stint in Paris to attend cooking school, from a plain, pubescent servant’s daughter into a knowing, soignée siren. It would have helped. A publicity blitz of a different kind attended the movie’s February 4, 1955, premiere in France. “I was so new to Hollywood I didn’t know you didn’t go straight up to a director and criticize everything he was doing! The red ball gown worn while strutting down the Paris Opera house may be the film’s most memorable look. Roman Holiday—which would win her a Time-magazine cover and an Oscar for best actress—hadn’t opened yet, and there was no reason for him to be familiar with the obscure newcomer who had recently created the title role in the Broadway production of Gigi. Aglow with expectation and as perky as the twin bows fastening her dress, she is, as the script demanded, “smartly groomed for a night on the town.” Linus will take her out to dinner at “the darkest corner table of the Colony,” then squire her to Broadway to see The Seven Year Itch (an in-joke—Wilder would direct the movie version a year later), and afterward lead her to the Persian Room for dancing. When the credits rolled, Head’s name appeared next to the words “Costume Supervision,” and that was it. Givenchy also named one of the dresses in his collection “Sabrina.” Elle reported that the couturier had been inspired throughout his collection by his new muse’s “flat chest, narrow hips, swan neck, and short hair.” Not surprisingly, the French movie critics greeted this “Cinderella story à l’americaine” with a shade more cynicism than their Stateside counterparts and their colleagues in the fashion press. Audrey Hepburn's wedding dress, 1969 In a non-traditional wedding look, Hubert designed a mock-neck pink mini dress for Audrey Hepburn’s wedding to Andrea Dotti in Switzerland. The Givenchy wedding dress that legendary actress Audrey Hepburn wore in the film Funny Face remains to be one of the most iconic celebrity wedding dresses of all time. “I dressed so many other stars. . Among the activities Hepburn engaged in during this triumphant home-coming—all organized for the benefit of disabled Dutch veterans—were a photo-signing session at a department store attended by thousands and a teatime fashion show in which Hepburn herself modeled dresses by Givenchy. It’s hard to believe now, but until that moment Bill Holden was supposed to recognize Sabrina immediately as the chauffeur’s daughter.” Lehman’s epiphany, partly inspired by the sultry elegance of Hepburn in the Givenchy suit, was to make the object of Sabrina’s lifelong infatuation “think he’s picking up a strange, charming, and attractive woman. Sep 5, 2014 - Explore Judy Greenlaw's board "Audrey hepburn wedding" on Pinterest. See more ideas about audrey, audrey hepburn, hepburn. “The other day I was in Venice,” he recalls quietly. ... A column dress… Hepburn began by putting on what she later described as “that jazzy suit”—an Oxford-gray wool-ottoman tailleur with a cinch-waisted, double-breasted scoop-necked jacket and a slim, calf-length vented skirt. Audrey was always very definite in her taste and look. Sabrina [is] the plus chic of chicks.” And an early, sanguine prediction of “hearty b.o. . Further, Hyer’s ample bustline, spilling out of her plunging black bodice, appears matronly beside Hepburn’s garçon manqué physique. Though she came to Givenchy out of the blue, there is no doubt that they were made to meet. Ironically, this renewed—adulation of le style Audrey Hepburn is peaking just as Givenchy is retiring from the house he founded in 1952. . He sympathizes extravagantly with her heart-rending crush on David Larrabee, proposes for her an elfin new haircut, and advises her on a cosmopolitan new wardrobe. Weddings. “Immediately we had a great sympathy,” the couturier recalls. Audrey is more recent. Avoiding embroilment in these internecine squabbles, Hepburn bided her time learning the rules of baseball from Ernest Lehman (the World Series was on), or tooling around the set on a green bicycle (a gift from Wilder), dressed between takes in a cartoonish, candy-cane-striped top and trousers filched from her production of Gigi. Above the ankles and as slim as a string bean in front, it was confected of organdy and embroidered with flowers of black silk thread and jet beads on the bodice, skirt, and train. For his February presentation he hired his own Audrey look-alike, a mannequin named Jacky, as house model. Busy as he was, the young couturier’s interest was piqued—“I was thinking she meant Katharine Hepburn,” he now explains. It is difficult to think she is no longer with us—that I can no longer pick up the phone to call her. Funny Face Wedding Dress/ Audrey Hepburn Wedding Dress/ 1950s Wedding Dress/ tea length gown/ Custom made dress/ movie dress/ Tulle gown Zepherra. All of this Audrey revivalism has been noted with extreme curiosity by the late actress’s close friend couturier Hubert de Givenchy, who first dressed the star in Sabrina and ended up creating her wardrobe for seven subsequent film roles, as well as for private life. Its most dramatic features, however, were its deeply carved armholes and shallow, razor-sharp horizontal neckline. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. Though Hepburn didn’t mention it, Givenchy could easily have guessed that until this moment she had (as she told Vogue’s Paris-bureau chief Susan Train years later) “never even seen an haute couture dress, much less worn one.” (She claimed on another occasion that before she met Givenchy she had been wearing homemade clothes.) And in a photo published in the November 1954 Elle, she appears at a Dutch restaurant table smiling beatifically in the black Sabrina cocktail dress, with Mel hovering at her side. “Then the rest wasn’t so tough anymore. Though of course I advised her, she knew precisely what she wanted. . Ad Choices. They copied her for 10 solid years after. The Women Who Inspired Hubert De Givenchy Muses Throughout. The gown is so reminiscent of a ballerina, so graceful and beautiful. . “Afterward it was called the décolleté Sabrina.” Audrey loved this neckline, he says, because it hid her “skinny collarbone but emphasized her very good shoulders”—which were as broad and powerful as the rest of her was narrow and fragile. She became a person of a whole generation. She was very professional. In 2009, Audrey Hepburn's first wedding gown was sold at an auction in London for $23,000, according to Vogue UK. Wilder gleefully recalled, “Here was this chauffeur’s daughter going to the ball and she looked more royal than all the other society people in New York!”, So resplendent was Hepburn in the glamorous Givenchy gown that when Wilder began to shoot the scene of her dancing with Bogart in the Larrabees’ indoor tennis court, bit by bit her fawnlike radiance burned into the actor’s dusky, rugged face. . 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